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July 27, 2017

D. K. Holm is the movie reviewer for theVancouver Voice. A long-time Portland, Ore., resident, Holm editing the film magazine Cinemonkey, worked at Willamette Week for 10 years, and then for the late, lamented PDXS. Holm has contributed numerous DVD reviews to various websites, including DVDJournal. In addition, Holm has published 10 books, including two volumes on R. Crumb, two on Tarantino, and volumes on independent cinema and film noir, and Guy Maddin: Interviews. More info can be found at is Wikipedia page: http://en.wikipedia.org/wiki/D._K._Holm


Posts and Reviews by D. K. Holm


Rossellini's War Trilogy from Criterion

In a Lonely Place

Posted July 9, 2017 by D. K. Holm

Roberto Rossellini’s The War Trilogy still holds cinematic power 60 years later.                        In the twilight of its life cycle, the DVD has finally achieved – or stumbled upon – an educational and clever use of its own technology. It’s the video essay. What you… More


DVD Cover for Hitchcock's The Lodger: A Story of the London Fog

Upstairs, Downstairs

Posted June 27, 2017 by D. K. Holm

It’s called the first true Hitchcock film. It features the first innocent man chased both by cop and citizen. It has the first Hitchcock serial killer film, and the first Hitchcock cameo (two, in fact). It features the famous see-through glass floor. There is a staircase. The blondes. These are the words, labels, and motifs that… More


Murray Pomerance on Hitchcock's The Man Who Knew Too Much

The Consequences of Knowing A Lot: Recent Hitchcock Books, No. 1

Posted April 17, 2017 by D. K. Holm

There is a curious moment in the middle of Alfred Hitchcock’s The Man Who Knew Too Much that has gone without much comment, or at least I haven’t seen any. Ben McKenna is searching London for the kidnappers of his son, Hank. His clue is the name “Ambrose Chapell,” who turns out to be a… More


The cover for Jon Lewis's new book

Hard-Hearted Hollywood

Posted April 14, 2017 by D. K. Holm

There have always been two Hollywoods. There is the burnished image of the place and people promoted by studio publicity machines via movie magazines and the media, a world of hardworking artisans cultivating their craft and family simultaneously. Then there is the brutal underside, real versus “real.” This is the Hollywood of disguised unwed pregnancies, of lethal… More


The Blu-Ray box for Blowup

Frames of Blowup

Posted March 28, 2017 by D. K. Holm

There are so many ways to begin an essay on Blowup. For example, the writer could note that there is often a moment in a Michelangelo Antonioni film in which the main character breaks out in some kind of joyous dance. In L’Avventura it’s when Monica Vitti swirls around a bedroom. In L’Eclisse, when Vitti dons… More


Criterion's edition of the important Mexican film Canoa

Fury

Posted March 14, 2017 by D. K. Holm

If I had watched Canoa when it first appeared in 1976, I would probably have resisted it due to its rough edges. The film has a grainy, hand-held appearance that suggests a low budget, and sometimes the lighting for interior shots is over-bright like a bad drive-in movie. In addition, some of the characters speak… More


Mildred Pierce DVD Box Cover

The Case of Mildred Pierce

Posted February 18, 2017 by D. K. Holm

If the old saw is true – that there are no bad films noirs, or to translate it, every film noir has something interesting about it – then Mildred Pierce is a weird nexus of a lot of issues that cling to the genre (if it is a genre, which is just one of those… More


PIFF 40 logo

PIFF 2017, Part One

Posted February 15, 2017 by D. K. Holm

That annual cinematic onslaught called the Portland International Film Festival is upon us, and though no reviewer asks for pity, nor is anyone likely to grant it, at over 160 features and short films, it’s an awful lot to cover. Every year I vow that I am going to give top coverage, and every year… More


Link to an article on Audio Commentary Tracks

Posted February 9, 2017 by D. K. Holm

One of the great features of DVDs were the audio commentary tracks in which stars, scholars, or others would walk the viewer through the film. This week, I’ve got an article on the decline of the audio commentary track posted at Crooked Scoreboard, which should provide some options for educational listening.


Crooked Scoreboard on why movies are still better than TV

On the Aisle Update

Posted January 21, 2017 by D. K. Holm

No oodcast again this week, due to weather and flu. But everyone is feeling better, and there will be a program posted next Friday, the annual best-worst list, and some Reel Music picks. Until then, here is a link to D. K. Holm on why movies are still better than television. Feel free to  leave a… More