John Pitman’s CD Reviews blog spotlights recent recordings of classical music. As the music director, John auditions dozens of new releases every month, focusing on titles that stand out in terms of performance, repertoire or recording quality.
June 25, 2020
John Pitman Review: Is A Rose, Anne Sofie Von Otter and Caroline Shaw
Host John Pitman chats with the great Swedish mezzo-soprano, Anne Sofie Von Otter about her performance of a new work by American composer, Caroline Shaw. Title “Is a Rose”, the three-movement song cycle is sung by Von Otter with San Francisco’s Philharmonia Baroque Orchestra, as Shaw has written the work with Baroque ensembles – and... More
June 2, 2020
John Pitman Review: Violins of Hope, Niv Ashkenazi
Violinist Niv Ashkenazi plays one of a handful of restored violins that survived the Holocaust, and his debut recording, “Violins of Hope” (Albany Records) is a document of the perseverance of the instruments’ original owners. Mr. Ashkenazi, along with pianist and fellow Juillard student, pianist Matthew Graybil, breathe life into music that, in some cases,... More
May 8, 2020
John Pitman Review: Donald Nally talks about Anonymous Man
Donald Nally is the artistic director of one of this country’s most adventurous and creative choirs, The Crossing. John Pitman talks to the conductor about Michael Gordon’s Anonymous Man, a 65-minute choral work in 7 movements, which is a memoir of Gordon’s life with his family on Desbrosses Street in lower Manhattan in the 1980s.... More
April 13, 2020
John Pitman Review: Benjamin Grosvenor, Chopin Piano Concertos
British pianist Benjamin Grosvenor grew up with Chopin. He shares with John Pitman that “my first love at the piano…was Chopin.” In his newest recording for Decca, Mr. Grosvenor explores Chopin’s piano concertos, one of which includes a sort of musical love note by the young composer to a singer that he admired. In the... More
March 26, 2020
John Pitman Review: Miró Quartet complete their Beethoven cycle
The Miró Quartet, who visited Portland in February hosted by Chamber Music NW, is celebrating the 250th anniversary of Beethoven’s birth with the release of the complete string quartets. They began around 2005 with the Opus 18 (Beethoven’s first published set), recording them at the same age the composer was when he wrote them, in other... More
February 12, 2020
John Pitman Review: Jonathan Biss completes Beethoven journey
As a part of the celebrations this year of the 250th anniversary of the birth of Ludwig Van Beethoven, program director John Pitman is interviewing some of today’s top artists involved in the newest recordings of his music. American pianist Jonathan Biss has just completed a 9-year journey exploring the piano sonatas of Ludwig Van Beethoven.... More
January 23, 2020
John Pitman Review: Silenced Voices
String Trio debuts with “Silenced Voices” (Black Oak Ensemble) 2020 (specifically, January 27) marks the 75th anniversary of the liberation of Auschwitz, the WWII concentration camp that is symbolic of the persecution and murder of millions of Jews and other groups by the Nazi regime. In addition to the handful of people who survived the... More
January 10, 2020
John Pitman Review: Sound of Silence, Miloš returns
The Montenegro-born guitarist Miloš has just released his fifth album, and the first in about 3 years. Sound of Silence (Decca) is, in a way, autobiographical: in 2016, just after the release of his Beatles-inspired disc, Blackbird, Miloš began experiencing a tightness in his hand that affected his ability to play. He eventually stepped away... More
December 10, 2019
John Pitman Review: Violinist Margaret Batjer and the LA Philharmonic
Violinist Margaret Batjer has been associated with the Los Angeles Chamber Orchestra for a number of years. In their first CD for the Swedish BIS label, Batjer and the LACO begin with a new violin concerto by Quebec-born composer, Pierre Jalbert. With movements titled “Soulful, mysterious”, and “With great energy”, Jalbert’s concerto is in good... More
November 18, 2019
John Pitman Review: Self-titled debut – Pianist Wei Luo
To introduce a pianist saying that he or she started lessons at the age of five is probably not going to raise eyebrows. However, to say that this particular pianist advanced at such a rate that she entered the Curtis Institute at age 13 is something that might catch notice. That’s the first part of... More