Vice President of Programming
I listened to radio a lot when I was a kid. I used to announce my parents’ 78s and 45s and I would read news magazines out loud, trying to sound like John Cameron Swayze. Then my Great Aunt Inez moved to Ireland and gave me her classical LPs. When I was a student at Northern Michigan University, the kid who did the evening classical show on the college station graduated, and I got drafted to replace him because everyone had heard that opera stuff coming out of my dorm room. Years later, when my son was grown, I realized I had the freedom to move anywhere in the world I wanted. I came to Portland right away. I feel that All Classical Portland is where I’m supposed to be.
John serves as weekday evening host from 6 to midnight.
I started working at All Classical Portland in 1983; 2013 marks 30 years at the radio station. I haven’t always been Music Director; that post I’ve held since 2006. But prior to that, I’ve been an on-air announcer both part-and-fulltime, and practically from the beginning, I’ve managed the vast classical library. In 1983 that was exclusively on LP, but gradually, the library transformed into an all-CD collection, and I’ve listened to nearly every one of the 25,000 CDs on our shelves. Now, as music director, I carefully craft each hour’s music of a 24-hour day (except for our locally-produced shows; those are chosen by the hosts). This is a big job, to be sure, previewing all the available pieces of music in each hour, and deciding which is the best to follow the preceding selection. That’s what I do each and every day here at All Classical Portland, and it’s a job I love doing.
Though serving principally as music director at All Classical Portland, John also hosts overnights on Saturdays and Sundays, and fills in as on-air host during the week as needed.
I have my mom to thank for getting me interested in music and for being the first person to suggest radio as a career. I have both my parents to thank for making possible my degree in music composition, and for patiently supporting me, one way or another, through the many years I played in rock bands. While I failed to become a rock star, I still manage to compose occasionally. After thirty years in radio I still enjoy it! I’m on the air weekday afternoons from 1:00 to 6:00 and Saturday nights from 8:00 to 10:00, when I preside over Club Mod, a program devoted to modern music both old and new. I also enjoy hosting preconcert conversations for the Oregon Symphony and other public speaking opportunities. I’ve been part of the All Classical Portlandia team since 2000, thus setting a new personal record for employment longevity.
I was born in the Bronx and grew up in New York City and Long Island. I lived in Washington, D.C. for 18 years before moving to Portland with my wife in 1991. Music has always been a big part of my life. I started collecting records a year before I had a record player. I have published five detective novels, the first of which, Served Cold, won the Shamus Award. I brought my movie review program (On The Aisle) to All Classical Portland, in addition to my Author, Author interview program. I teach occasionally and have taught courses in jazz history and the Marx Brothers’ movies.
I am a regular from 7 a.m. to 2 p.m. on Sundays, and I also host Saturday Matinee from 10 to 2 p.m. while the Metropolitan Opera is in hiatus.
I’ve been producing and hosting public radio programs for 20 years or so. Prior to joining the All Classical Portland staff, I spent 6 years as the arts reporter for WETA in Washington, and was the creator and host of a cultural magazine called “The Program.” I’ve done a lot of freelance work too, for public radio programs including Morning Edition, Studio 360, and All Things Considered. I love radio, music, animals and my mom.
Andrea produces Northwest Previews, which airs Thursdays at 6 p.m.
Listen to Andrea on weekdays from midnight to 5 a.m.
In 2007 the Los Angeles classical station where I was a host decided to change formats to something more lucrative: country music! I took the opportunity to move on to the greener landscape of Portland and All Classical Portland.
I started in radio when I was 17. Prior to L.A. I worked at stations in Orlando and Atlanta, and for six years I was a host and producer on Minnesota Public Radio’s national service, Classical 24. I grew up around New Orleans and Jackson, MS, and was a flute performance-turned-communications major at Ohio University, followed later by graduate school in philosophy at Purdue University. My first post- college job was as a music engineer in the early 90s Atlanta hip hop scene.
In addition to working at All Classical Portland, I teach philosophy at Portland Community College, and I’m a certified yoga instructor. I live with my husband Brice in SE Portland with our dogs, Harper and Truman.
I’m up early and on the air 5 to 9 a.m. weekdays at All Classical Portland, and help with production and programming during more civilized hours. I also host Played in Oregon Sundays at 1p.m.
I grew up on an English farm and listened constantly to BBC Radio where I developed an early fascination for entertainment. In my late teens I joined a youth theater and toured in Romeo & Juliet, before moving to Scotland, where my love for radio, film and writing merged together when I became a film correspondent for BBC Radio and Thompson Publications. I needed a larger canvas to work with and moved to Hollywood in 1980, covering the Academy Awards, interviewing Alfred Hitchcock and Mel Blanc, and eventually narrating more than 1,000 educational audio stories. Thirty-five years later I am still doing the work I love. I host programming on All Classical Portland on weekend afternoons and evenings, occasionally emcee events and classical concerts, and sometimes even narrate with orchestras. In 2006 I created The Score, a national (and now international) syndicated film music program, heard on All Classical Portland every Saturday and Sunday at 2 p.m. Writing, producing and hosting this program is a wonderful opportunity for me to share, with listeners, my passion for symphonic music in the movies.
The British, they say, are crazy about their gardens. I am, too. This helped when I became a vegetarian in 1997 and could grow some of my own food. My childhood love of animals has always made me aware of their importance on our planet. In 1997 I co-founded In Defense of Animals-Africa which operates a chimpanzee rescue center in Cameroon, West Africa.
Edmund writes and hosts The Score, a nationally syndicated film music program, which you can hear every Saturday and Sunday at 2 p.m.
I love exploring Oregon’s nooks and crannies. Since arriving here in 2007, I’ve fallen particularly hard for the Owyhee desert in the far reaches of Southeast Oregon, the rolling high hills surrounding the Deschutes River, and the magically blue waters of Crater Lake. I love camping and hiking but haven’t yet become the toughened sort of Portlander who trudges out in the rainy season… so instead I spend the winter months sheltered inside our area’s concert halls soaking up local culture.
I had once hoped to be a professional French horn player – I attended Northwestern University with that aspiration, but after I realized how much practicing would be involved I ended up graduating with a degree in Arts Administration instead! I still tootle, though… I play 4th horn for the Sunnyside Symphony Orchestra (http://sunnysidesymphony.org).
You can hear Christa weekdays from 9am-1pm, and as the host of On Deck with Young Musicians Saturdays at 5pm.