Vice President of Programming
I listened to radio a lot when I was a kid. I used to announce my parents’ 78s and 45s and I would read news magazines out loud, trying to sound like John Cameron Swayze. Then my Great Aunt Inez moved to Ireland and gave me her classical LPs. When I was a student at Northern Michigan University, the kid who did the evening classical show on the college station graduated, and I got drafted to replace him because everyone had heard that opera stuff coming out of my dorm room. Years later, when my son was grown, I realized I had the freedom to move anywhere in the world I wanted. I came to Portland right away. I feel that All Classical Portland is where I’m supposed to be.
John serves as weekday evening host from 6 pm to 10 pm and Sunday 8 pm to 10 pm.
My career in broadcasting began at WHYY in Philadelphia when a Pennsylvania Dutch couple showed up for a TV interview and the originally planned host of the program did not! The rest, (as they say) is history. I love music. I love sharing music. I love hearing others share music. And I love radio.
I've had the opportunity to work on dozens of radio and TV programs and documentaries. In Maine, at MPBN, I created the Emmy-award winning series MaineArts! and an audio diary series: Music that Moves ME. Recently, I've been busy sharing opera around the world as co-producer and host of Lyric Opera of Chicago's internationally syndicated broadcast series through the WFMT Network, and co-producing and hosting Grant Park Music Festival's broadcasts featuring Oregon Symphony's esteemed Music Director Carlos Kalmar!
When I’m not on the air, I'm usually singing or lecturing about the power of music, the benefits of arts education and the importance of supporting cultural economy.
I'm thrilled to be at All Classical as Program Director and On-Air Host. The beauty of the city and its surroundings, its extraordinary people, the talented artists that create here, and the food scene were calling my name. All of that coupled with the outstanding people that make All Classical so special made Portland an irresistible place to call home.
"Queen of Classical" and the "Anti-diva" are titles that certainly make me smile, however, I most enjoy being identified as a trusted friend by fellow music lovers and listeners. "We love this music," indeed.
Hear Suzanne Weekdays 2 pm to 6 pm, and Sunday 3 pm to 6 pm.
I started working at All Classical Portland in 1983; 2013 marks 30 years at the radio station. I haven’t always been Music Director; that post I’ve held since 2006. But prior to that, I’ve been an on-air announcer both part-and-fulltime, and practically from the beginning, I’ve managed the vast classical library. In 1983 that was exclusively on LP, but gradually, the library transformed into an all-CD collection, and I’ve listened to nearly every one of the 25,000 CDs on our shelves. Now, as music director, I work with the programming team and our producers to carefully craft each hour of music almost every day. This is a big job, to be sure, previewing all the available pieces of music and adding new pieces and performances to the library. It’s a job I love doing. When I’m not programming, I’m interviewing musicians from around the world to add to All Classical Portland’s online offering of reviews, spotlights and insights.
Though serving principally as music director at All Classical Portland, John also hosts overnights on Saturdays and Sundays, and fills in as on-air host during the week as needed.
I have my mother to thank for getting me interested in music, arranging childhood piano lessons, and being the first to suggest a career in radio. I have both my parents to thank for putting me through college (with a music degree in composition) and for patiently putting up with my rock drummer phase. While I failed to become a rock star, I do still perform occasionally, as a drummer or a timpanist, and I still compose, though not as much as I would like to. After more than thirty years in radio, I still like it! I also enjoy public speaking opportunities, including preconcert conversations for the Oregon Symphony. I’ve been part of the All Classical team since 2000, after working at other radio stations in Oregon, Washington, and New York. I’ve saved the best for last.
Hear Robert on-air weekdays 10 am to 2 pm, and Sunday 10 am to 1 pm. Robert also hosts Club Mod each Saturday at 8 pm, and live in-house performances on Thursdays @ Three.
I was born in the Bronx and grew up in New York City and Long Island. I lived in Washington, D.C. for 18 years before moving to Portland with my wife in 1991. Music has always been a big part of my life. I started collecting records a year before I had a record player. I have published five detective novels, the first of which, Served Cold, won the Shamus Award. I brought my movie review program (On The Aisle) to All Classical Portland, in addition to my Author, Author interview program. I teach occasionally and have taught courses in jazz history and the Marx Brothers’ movies.
Ed's regular shifts are Saturdays 8 am to 10 am, and 2 am to 6 am on Sundays. Ed also hosts Saturday Matinee from 10 am to 2 pm while the Metropolitan Opera is in hiatus.
I’ve been producing and hosting public radio programs for 20 years or so. Prior to joining the All Classical Portland staff, I spent 6 years as the arts reporter for WETA in Washington, and was the creator and host of a cultural magazine called “The Program.” I’ve done a lot of freelance work too, for public radio programs including Morning Edition, Studio 360, and All Things Considered. I love radio, music, animals and my mom.
Andrea produces Northwest Previews, which airs Thursdays at 6 p.m.
Listen to Andrea on weekdays overnight starting at 10 pm.
In 2007 the Los Angeles classical station where I was a host decided to change formats to something more lucrative: country music! I took the opportunity to move on to the greener landscape of Portland and All Classical Portland.
I started in radio when I was 17. Prior to L.A. I worked at stations in Orlando and Atlanta, and for six years I was a host and producer on Minnesota Public Radio’s national service, Classical 24. I grew up around New Orleans and Jackson, MS, and was a flute performance-turned-communications major at Ohio University, followed later by graduate school in philosophy at Purdue University. My first post- college job was as a music engineer in the early 90s Atlanta hip hop scene.
In addition to working at All Classical Portland, I teach philosophy at Portland Community College, and I’m a certified yoga instructor. I live with my husband Brice in SE Portland with our dogs, Harper and Truman.
Brandi is on the air 2 am to 6 am weekdays, and 3 am to 8 am Saturday at All Classical Portland. She also hosts Played in Oregon Sundays at 1 pm.
I grew up on an English farm and listened constantly to BBC Radio where I developed an early fascination for entertainment. In my late teens I joined a youth theater and toured in Romeo & Juliet, before moving to Scotland, where my love for radio, film and writing merged together when I became a film correspondent for BBC Radio and Thompson Publications. I needed a larger canvas to work with and moved to Hollywood in 1980, covering the Academy Awards, interviewing Alfred Hitchcock and Mel Blanc, and eventually narrating more than 1,000 educational audio stories. Thirty-five years later I am still doing the work I love. I host programming on All Classical Portland on weekend afternoons and evenings, occasionally emcee events and classical concerts, and sometimes even narrate with orchestras. In 2006 I created The Score, a national (and now international) syndicated film music program, heard on All Classical Portland every Saturday and Sunday at 2 p.m. Writing, producing and hosting this program is a wonderful opportunity for me to share, with listeners, my passion for symphonic music in the movies.
The British, they say, are crazy about their gardens. I am, too. This helped when I became a vegetarian in 1997 and could grow some of my own food. My childhood love of animals has always made me aware of their importance on our planet. In 1997 I co-founded In Defense of Animals-Africa which operates a chimpanzee rescue center in Cameroon, West Africa.
Edmund writes and hosts The Score, a nationally syndicated film music program, which you can hear every Saturday and Sunday at 2 p.m.
I love exploring Oregon’s nooks and crannies. Since arriving here in 2007, I’ve fallen particularly hard for the Owyhee desert in the far reaches of Southeast Oregon, the rolling high hills surrounding the Deschutes River, and the magically blue waters of Crater Lake. I love camping and hiking but haven’t yet become the toughened sort of Portlander who trudges out in the rainy season… so instead I spend the winter months sheltered inside our area’s concert halls soaking up local culture.
I had once hoped to be a professional French horn player – I attended Northwestern University with that aspiration, but after I realized how much practicing would be involved I ended up graduating with a degree in Arts Administration instead! I still tootle, though… I play 4th horn for the Sunnyside Symphony Orchestra (http://sunnysidesymphony.org).
You can hear Christa Sundays and weekdays 6 am to 10 am, and as the host of On Deck with Young Musicians Saturdays at 5 pm.
When I visited Portland for the first time I decided that I wanted to live here. It would take about 15 years before I pulled it off. Similarly, I first got involved in radio (a four-hour classical shift twice a week) during my freshman year of college in my hometown of Sioux Falls, South Dakota. It really was a blast but almost two decades would pass before I returned to radio, joining the staff of KCUR (the NPR affiliate in Kansas City) as an announcer and producer.
During those two overlapping intervals, I managed to cover a lot of ground: working as a writer, editor, actor and voice over artist in San Francisco, New York, Chicago and Seattle. One recurring theme throughout that time, and my life in general, has been music, whether I was participating in it as a singer, writing about it, or appreciating it from the audience.
The world can be a crazy mixed up place, but with luck you arrive where you're supposed to be. And I do feel very lucky to be able to work with radio heroes of mine at All Classical Portland, an outstanding broadcast service in a great city.