The script is based upon the life of Joseph Merrick, a man so physically deformed that he became known as the “Elephant Man.” With very few options open to him, Merrick (whose first name is John in Pomerance’s play) is forced to display himself to the public in travelling sideshows. Eventually, however, he finds himself alone and destitute in London. Due to the kindness of one Dr. Frederick Treves, Merrick is soon admitted into the London Hospital for care and observation. Treves becomes determined to help Merrick lead a normal life, and Merrick soon becomes the toast of society. In the end however, John Merrick, The Elephant Man, finds that normality isn’t something he can achieve, or that he even necessarily wants. The play calls for no prosthetic makeup on the actor portraying Merrick; the actor portrays Merrick’s deformity through physicality, letting the audience imagine Merrick’s appearance.

Produced in arrangement with Samuel French

ONE OF THE MOST IMPORTANT NEW WORKS IN THE WORLD OF OPERA.

In this brave and beautiful coming-of-age story, two voices—a mezzo-soprano and a baritone—share the role of our transgender heroine Hannah as she endeavors to resolve the discord between herself and the outside world. Celebrated as one of the most important new works in the world of opera, Hannah’s story sheds light on universal truths of self-love and identity.

“As One forces you to think, simultaneously challenging preconceptions and inspiring empathy.” — the New York Times

Performed in English with English captions. Approximately 1 hour and 15 minutes, with no intermission.

Portland Opera
503-241-1802

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

Distinguished Concerts International New York City (DCINY) announced that Marion Van Namen and Sing Portland! have been invited to participate in the 5th Anniversary Production of Total Vocal – a performance of contemporary a cappella under the creative direction of arranger/producer Deke Sharon (The Sing-Off, Pitch Perfect) – on the DCINY Concert Series in New York City. This performance is planned to take place on Sunday, March 24, 2019 in Isaac Stern Auditorium at Carnegie Hall. These outstanding musicians will join with other choristers from around the world to form the Distinguished Concerts Singers International, a choir of distinction. Deke Sharon will lead the performance and will serve as the clinician for the residency.

Dr. Jonathan Griffith, Artistic Director and Principal Conductor for DCINY states: “Sing Portland! received this invitation because of the quality and high level of musicianship demonstrated by the singers as well as the quality of their audition recording.”

For more information on tickets, group sales or other special offers, please contact us at 212-707-8566 Ext. 307, or BoxOffice@DCINY.org.

Our inaugural Problem Play Project production is a remarkable new vision of Shakespeare’s The Winter’s Tale in a bilingual world premiere adaptation! The Bard’s spellbinding tale of jealousy, prophecy, magic, and redemption, reworked by Hillsboro-native Carlos-Zenen Trujillo, transports the action away from Sicilia and Bohemia to Miami and Havana.

Bringing Latin-American magical realism to play in one of Shakespeare’s most compelling (and magical) tales, The Island in Winter is the first show in a three-year project that asks emerging playwrights of color to re-imagine Shakespeare’s Problem Plays with a diversity and equity lens.

Cost: Adults $32 / Students & Seniors $27

503-345-9590

https://bagnbaggage.org/play-event/bell-book-and-candle

The Newport Symphony Orchestra at the Ocean conducted by Adam Flatt with guest artist Amy Yang, piano, perform music of Clara Schumann, Lili Boulanger, Claude Debussy, Sergei Prokofiev, and George Gershwin.

Maestro Flatt writes, “Two female masters, Clara Schumann and Lili Boulanger, grace this program. Though their works may not be familiar, I know (from my own experience) that after today you will want to hear much more of each of these women’s works. Schumann’s lyricism, fire, and drama are stunning, as is Boulanger’s exquisite and lively music.”

There will be a pre-concert talk with Maestro Flatt at 6:45pm, Saturday night only.

Join the NSO musicians, guest artist, and conductor after the concert for a reception hosted by Flying Dutchman Winery.

Cost:  $25 & $39 plus ticket fees; students $10

(541) 574-0614

info@NewportSymphony.org

https://www.newportsymphony.org/events/2018-19-season.html

The Light Opera of Portland (LOoP), known for its spirited renditions of Gilbert and Sullivan and other classics, explores brand new territory by presenting an original, romantic musical called “We Met in Moscow. The show is based upon events in the lives of Ralph Bunch, a professor emeritus from Portland State University, and his wife Eleanora Andreevna, head of cybernetics at the Kremlin in the 1990s. This modern-age romance between two people who met later in their lives is not another teenage romance, but a prime-of-life love story. The story not only explores the unique way this couple fell in love during the post-Cold War era but also the adventures they had exploring their cultural differences.

When asked about this one of a kind piece, Dennis Britten explains. “Everyone has been asking me what the show is about. I think I’ll have two characters – Richard, a sixty-year-old American and his Russian friend Marat, answer what those two messages are succinctly.

MARAT: “Everywhere world is much the same. Everybody, no matter age, need love and romance, Nyet?”

RICHARD: “I suppose youre rightI cant get over how Russians are so much like Americas, Marat”

MARAT: “Like I say, I think people same everywhere, Richard. Just government different.”

Kevin Bryant Lay elaborates. “This show is about two people who fall in love across distances and cultures, reminding us that we are all more alike than different. Neither culture nor individual need change their native key. We can stretch our ears and hearts to accommodate both keys simultaneously.”

In view of the divisiveness in our society today, these themes could not be more timely or relevant. LOoP expands their repertoire with an original production performed with a full orchestra. Its modern issues, costumes and set design will reflect the 1990’s. “We are all the same no matter what our backgrounds may be” emphasizes Ralph Bunch. So, come out and celebrate our similarities as well as differences with songs, dance, and laughter that bring us all together. The players will greet audience members and serve ice cream sundaes after the show.

Accessible toilet facilities are available for this production.

The script is based upon the life of Joseph Merrick, a man so physically deformed that he became known as the “Elephant Man.” With very few options open to him, Merrick (whose first name is John in Pomerance’s play) is forced to display himself to the public in travelling sideshows. Eventually, however, he finds himself alone and destitute in London. Due to the kindness of one Dr. Frederick Treves, Merrick is soon admitted into the London Hospital for care and observation. Treves becomes determined to help Merrick lead a normal life, and Merrick soon becomes the toast of society. In the end however, John Merrick, The Elephant Man, finds that normality isn’t something he can achieve, or that he even necessarily wants. The play calls for no prosthetic makeup on the actor portraying Merrick; the actor portrays Merrick’s deformity through physicality, letting the audience imagine Merrick’s appearance.

Produced in arrangement with Samuel French

The Newport Symphony Orchestra at the Ocean conducted by Adam Flatt with guest artist Amy Yang, piano, perform music of Clara Schumann, Lili Boulanger, Claude Debussy, Sergei Prokofiev, and George Gershwin.

Maestro Flatt writes, “Two female masters, Clara Schumann and Lili Boulanger, grace this program. Though their works may not be familiar, I know (from my own experience) that after today you will want to hear much more of each of these women’s works. Schumann’s lyricism, fire, and drama are stunning, as is Boulanger’s exquisite and lively music.”

There will be a pre-concert talk with Maestro Flatt at 6:45pm, Saturday night only.

Join the NSO musicians, guest artist, and conductor after the concert for a reception hosted by Flying Dutchman Winery.

Cost:  $25 & $39 plus ticket fees; students $10

(541) 574-0614

info@NewportSymphony.org

https://www.newportsymphony.org/events/2018-19-season.html

Join directors Janet Reiter and April Duvic, the singers of Reprise Choir, our guest singers, and the incomparable Jim Fischer and Friends for this inspiring and touching season three concert that will warm your heart and affirm the power of music. The program includes works from the Renaissance (Amor vittorioso) to If I Can Stop One Heart from Breaking by Reprise member Shane W. Dittmar composed in 2017.

The concert’s title work, The Singing Heart, sung by double choirs, is accompanied by hand bells. Additional works range from Brahms’ O süsser Mai to Burt Bacharach’s hit What the World Needs Now Is Love featuring solos by nearly every member of the choir! Jim Fischer and Friends joins in the musical fun on With a Song in My Heart, a true vocal jazz standard. With a mix of classical, modern, and vocal jazz selections, the program provides music to please every choral music-lover!

Reprise Choir is proud to bring their mission statement to life this season by inviting choir students from Fort Vancouver High School and five Vancouver middle schools. The Fort Vancouver High School choir will be the recipient of Reprise Choir’s first annual music scholarship to assist in promoting and supporting vocal and choral music education.

ONE OF THE MOST IMPORTANT NEW WORKS IN THE WORLD OF OPERA.

In this brave and beautiful coming-of-age story, two voices—a mezzo-soprano and a baritone—share the role of our transgender heroine Hannah as she endeavors to resolve the discord between herself and the outside world. Celebrated as one of the most important new works in the world of opera, Hannah’s story sheds light on universal truths of self-love and identity.

“As One forces you to think, simultaneously challenging preconceptions and inspiring empathy.” — the New York Times

Performed in English with English captions. Approximately 1 hour and 15 minutes, with no intermission.

Portland Opera
503-241-1802

This workshop is a great opportunity for piano performance students, players, and teachers to better understand and foster a deeper connection with their instrument. This is also a great opportunity for any mechanically inclined youth or adults as well. Everyone will walk away with an informational booklet and the ability to go and talk a little turkey with piano technicians. The workshop will be lead by master technician, Leal Sylvester who has over 20 years experience. Please e-mail Ross at lessons@ethos.org to RSVP or if you have any additional questions. All are welcome!

Topics Covered:
Evolution of the piano
Mechanics of the piano
Uprights vs. Grands
Most common issues and repairs
Basic regulation and tools
Fundamentals of tuning

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

Many of the most beloved, uplifting, and romantic songs in musical theatre history have one thing in common: The incomparable writing team of Richard Rodgers and Oscar Hammerstein II. A Grand Night For Singing collects over 30 treasured hits from Rodgers and Hammerstein shows such as Oklahoma!, South Pacific, The Sound of Music, Carousel, The King and I, and Cinderella; and invites audiences to experience these classics anew through artful arrangements and clever interpretations. It’s “something wonderful” for any lover of classic musical theatre.

Directed by Sharon Maroney.

Buy tickets here

Join directors Janet Reiter and April Duvic, the singers of Reprise Choir, our guest singers, and the incomparable Jim Fischer and Friends for this inspiring and touching season three concert that will warm your heart and affirm the power of music. The program includes works from the Renaissance (Amor vittorioso) to If I Can Stop One Heart from Breaking by Reprise member Shane W. Dittmar composed in 2017.

The concert’s title work, The Singing Heart, sung by double choirs, is accompanied by hand bells. Additional works range from Brahms’ O süsser Mai to Burt Bacharach’s hit What the World Needs Now Is Love featuring solos by nearly every member of the choir! Jim Fischer and Friends joins in the musical fun on With a Song in My Heart, a true vocal jazz standard. With a mix of classical, modern, and vocal jazz selections, the program provides music to please every choral music-lover!

Reprise Choir is proud to bring their mission statement to life this season by inviting choir students from Fort Vancouver High School and five Vancouver middle schools. The Fort Vancouver High School choir will be the recipient of Reprise Choir’s first annual music scholarship to assist in promoting and supporting vocal and choral music education.

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

ONE OF THE MOST IMPORTANT NEW WORKS IN THE WORLD OF OPERA.

In this brave and beautiful coming-of-age story, two voices—a mezzo-soprano and a baritone—share the role of our transgender heroine Hannah as she endeavors to resolve the discord between herself and the outside world. Celebrated as one of the most important new works in the world of opera, Hannah’s story sheds light on universal truths of self-love and identity.

“As One forces you to think, simultaneously challenging preconceptions and inspiring empathy.” — the New York Times

Performed in English with English captions. Approximately 1 hour and 15 minutes, with no intermission.

Portland Opera
503-241-1802

The Light Opera of Portland (LOoP), known for its spirited renditions of Gilbert and Sullivan and other classics, explores brand new territory by presenting an original, romantic musical called “We Met in Moscow. The show is based upon events in the lives of Ralph Bunch, a professor emeritus from Portland State University, and his wife Eleanora Andreevna, head of cybernetics at the Kremlin in the 1990s. This modern-age romance between two people who met later in their lives is not another teenage romance, but a prime-of-life love story. The story not only explores the unique way this couple fell in love during the post-Cold War era but also the adventures they had exploring their cultural differences.

When asked about this one of a kind piece, Dennis Britten explains. “Everyone has been asking me what the show is about. I think I’ll have two characters – Richard, a sixty-year-old American and his Russian friend Marat, answer what those two messages are succinctly.

MARAT: “Everywhere world is much the same. Everybody, no matter age, need love and romance, Nyet?”

RICHARD: “I suppose youre rightI cant get over how Russians are so much like Americas, Marat”

MARAT: “Like I say, I think people same everywhere, Richard. Just government different.”

Kevin Bryant Lay elaborates. “This show is about two people who fall in love across distances and cultures, reminding us that we are all more alike than different. Neither culture nor individual need change their native key. We can stretch our ears and hearts to accommodate both keys simultaneously.”

In view of the divisiveness in our society today, these themes could not be more timely or relevant. LOoP expands their repertoire with an original production performed with a full orchestra. Its modern issues, costumes and set design will reflect the 1990’s. “We are all the same no matter what our backgrounds may be” emphasizes Ralph Bunch. So, come out and celebrate our similarities as well as differences with songs, dance, and laughter that bring us all together. The players will greet audience members and serve ice cream sundaes after the show.

Accessible toilet facilities are available for this production.

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

Many of the most beloved, uplifting, and romantic songs in musical theatre history have one thing in common: The incomparable writing team of Richard Rodgers and Oscar Hammerstein II. A Grand Night For Singing collects over 30 treasured hits from Rodgers and Hammerstein shows such as Oklahoma!, South Pacific, The Sound of Music, Carousel, The King and I, and Cinderella; and invites audiences to experience these classics anew through artful arrangements and clever interpretations. It’s “something wonderful” for any lover of classic musical theatre.

Directed by Sharon Maroney.

Buy tickets here

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

Join directors Janet Reiter and April Duvic, the singers of Reprise Choir, our guest singers, and the incomparable Jim Fischer and Friends for this inspiring and touching season three concert that will warm your heart and affirm the power of music. The program includes works from the Renaissance (Amor vittorioso) to If I Can Stop One Heart from Breaking by Reprise member Shane W. Dittmar composed in 2017.

The concert’s title work, The Singing Heart, sung by double choirs, is accompanied by hand bells. Additional works range from Brahms’ O süsser Mai to Burt Bacharach’s hit What the World Needs Now Is Love featuring solos by nearly every member of the choir! Jim Fischer and Friends joins in the musical fun on With a Song in My Heart, a true vocal jazz standard. With a mix of classical, modern, and vocal jazz selections, the program provides music to please every choral music-lover!

Reprise Choir is proud to bring their mission statement to life this season by inviting choir students from Fort Vancouver High School and five Vancouver middle schools. The Fort Vancouver High School choir will be the recipient of Reprise Choir’s first annual music scholarship to assist in promoting and supporting vocal and choral music education.

The Light Opera of Portland (LOoP), known for its spirited renditions of Gilbert and Sullivan and other classics, explores brand new territory by presenting an original, romantic musical called “We Met in Moscow. The show is based upon events in the lives of Ralph Bunch, a professor emeritus from Portland State University, and his wife Eleanora Andreevna, head of cybernetics at the Kremlin in the 1990s. This modern-age romance between two people who met later in their lives is not another teenage romance, but a prime-of-life love story. The story not only explores the unique way this couple fell in love during the post-Cold War era but also the adventures they had exploring their cultural differences.

When asked about this one of a kind piece, Dennis Britten explains. “Everyone has been asking me what the show is about. I think I’ll have two characters – Richard, a sixty-year-old American and his Russian friend Marat, answer what those two messages are succinctly.

MARAT: “Everywhere world is much the same. Everybody, no matter age, need love and romance, Nyet?”

RICHARD: “I suppose youre rightI cant get over how Russians are so much like Americas, Marat”

MARAT: “Like I say, I think people same everywhere, Richard. Just government different.”

Kevin Bryant Lay elaborates. “This show is about two people who fall in love across distances and cultures, reminding us that we are all more alike than different. Neither culture nor individual need change their native key. We can stretch our ears and hearts to accommodate both keys simultaneously.”

In view of the divisiveness in our society today, these themes could not be more timely or relevant. LOoP expands their repertoire with an original production performed with a full orchestra. Its modern issues, costumes and set design will reflect the 1990’s. “We are all the same no matter what our backgrounds may be” emphasizes Ralph Bunch. So, come out and celebrate our similarities as well as differences with songs, dance, and laughter that bring us all together. The players will greet audience members and serve ice cream sundaes after the show.

Accessible toilet facilities are available for this production.

ONE OF THE MOST IMPORTANT NEW WORKS IN THE WORLD OF OPERA.

In this brave and beautiful coming-of-age story, two voices—a mezzo-soprano and a baritone—share the role of our transgender heroine Hannah as she endeavors to resolve the discord between herself and the outside world. Celebrated as one of the most important new works in the world of opera, Hannah’s story sheds light on universal truths of self-love and identity.

“As One forces you to think, simultaneously challenging preconceptions and inspiring empathy.” — the New York Times

Performed in English with English captions. Approximately 1 hour and 15 minutes, with no intermission.

Portland Opera
503-241-1802

Many of the most beloved, uplifting, and romantic songs in musical theatre history have one thing in common: The incomparable writing team of Richard Rodgers and Oscar Hammerstein II. A Grand Night For Singing collects over 30 treasured hits from Rodgers and Hammerstein shows such as Oklahoma!, South Pacific, The Sound of Music, Carousel, The King and I, and Cinderella; and invites audiences to experience these classics anew through artful arrangements and clever interpretations. It’s “something wonderful” for any lover of classic musical theatre.

Directed by Sharon Maroney.

Buy tickets here

High Desert Chamber Music’s 11th season, presented by Mission Building, concludes with New York Philharmonic Assistant Concertmaster, Michelle Kim, making her debut in the HDCM Concert Series. She has performed extensively as a soloist and chamber musician, collaborating with premier artists, including Pinchas Zukerman, Mstislav Rostropovich, Lang Lang, and Yefim Bronfman. Appearing for the first time in Oregon, you won’t want to miss this exciting season finale. This is your last chance to come hear the music!

This evening is brought to you by Hayden Homes. Join Michelle for a pre-concert talk about the program beginning at 6:45pm. This concert preview is free for all ticket holders.

Tickets available through HDCM by phone or online. This is your last chance to come hear the music!

Program: Kreisler Schon Rosmarin, Paganini Cantabile, De Falla Danse Espagnole, Beethoven Violin Sonata No. 7, Op.30 No.2, Schumann FAE Sonata, Brahms Sonatensatz, Brahms Violin Sonata No.3, Op.108

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

In a world where people struggle to have children, one American couple decides to ‘un-adopt’ their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father ‘re-homes’ the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.’

Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

Awards for Hansol Jung: Whiting Award
World Premiere
A Table|Room|Stage Commission

Artists Repertory Theatre
boxoffice@artistsrep.org
503-241-1278

Many of the most beloved, uplifting, and romantic songs in musical theatre history have one thing in common: The incomparable writing team of Richard Rodgers and Oscar Hammerstein II. A Grand Night For Singing collects over 30 treasured hits from Rodgers and Hammerstein shows such as Oklahoma!, South Pacific, The Sound of Music, Carousel, The King and I, and Cinderella; and invites audiences to experience these classics anew through artful arrangements and clever interpretations. It’s “something wonderful” for any lover of classic musical theatre.

Directed by Sharon Maroney.

Buy tickets here

The Light Opera of Portland (LOoP), known for its spirited renditions of Gilbert and Sullivan and other classics, explores brand new territory by presenting an original, romantic musical called “We Met in Moscow. The show is based upon events in the lives of Ralph Bunch, a professor emeritus from Portland State University, and his wife Eleanora Andreevna, head of cybernetics at the Kremlin in the 1990s. This modern-age romance between two people who met later in their lives is not another teenage romance, but a prime-of-life love story. The story not only explores the unique way this couple fell in love during the post-Cold War era but also the adventures they had exploring their cultural differences.

When asked about this one of a kind piece, Dennis Britten explains. “Everyone has been asking me what the show is about. I think I’ll have two characters – Richard, a sixty-year-old American and his Russian friend Marat, answer what those two messages are succinctly.

MARAT: “Everywhere world is much the same. Everybody, no matter age, need love and romance, Nyet?”

RICHARD: “I suppose youre rightI cant get over how Russians are so much like Americas, Marat”

MARAT: “Like I say, I think people same everywhere, Richard. Just government different.”

Kevin Bryant Lay elaborates. “This show is about two people who fall in love across distances and cultures, reminding us that we are all more alike than different. Neither culture nor individual need change their native key. We can stretch our ears and hearts to accommodate both keys simultaneously.”

In view of the divisiveness in our society today, these themes could not be more timely or relevant. LOoP expands their repertoire with an original production performed with a full orchestra. Its modern issues, costumes and set design will reflect the 1990’s. “We are all the same no matter what our backgrounds may be” emphasizes Ralph Bunch. So, come out and celebrate our similarities as well as differences with songs, dance, and laughter that bring us all together. The players will greet audience members and serve ice cream sundaes after the show.

Accessible toilet facilities are available for this production.

A musical event you won’t want to miss featuring four selections of classical, bluegrass and klezmer music, highlighted by virtuoso soloists, the Choral Arts Ensemble, and displays of amazing art. An ensemble of Oregon mandolinists will greet you as you enter, and the performance will feature world-famous mandolinist Sierra Hull, and clarinet soloist Shannon Scott. The orchestra performs works including “Le Tombeau De Couperin” by Maurice Ravel and “The Monster” by Duncan Neilson– inspired by Mary Shelley’s 1818 novel Frankenstein, in a piece that explores the conversation between monster and creator through music and chorus with special guest The Choral Arts Ensemble of Portland.

The Encore Brass is now under the direction of Internationally Recognized Venezuelan Conductor, Composer and Trumpeter Giancarlo Castro D’Addona who is new to the Pacific Northwest music community.

For this Early Spring Concert, the Encore Brass will be playing a broad range of music for brass ensemble from classical pieces by Giovanni Gabrielli, Tylman Susato and George Handel to popular and contemporary pieces by Aaron Copland, George Gershwin, Paul Dukas, Zach Smith and Andrew Lloyd Webber.

Founded in Portland as a brass quintet in 1978, the Encore Brass has grown to a 20-piece professional quality brass ensemble with a mission to share brass music throughout the Pacific Northwest. The concert is open to the public and donations are gratefully accepted. Encore Brass is a 501(c)3 nonprofit organization.

Choro music is roots jazz from Brazil, and considered Brazil’s first “urban pop” music. In this unique show you will experience a wide range of pieces of Choro and other genres by many of Brazil’s most important 20th century composers, such as Pixinguinha and Jacob do Bandolim.
3 acts in one show!

Come hear the intricate and sultry instrumental melodies of classic choro, the edgy syncopation of modern choro, emotive samba and bossa nova, and other genres. This is a rare opportunity to hear a wide range of composers, performed by three diverse acts: mandolin/guitar duo, piano/guitar duo, and quartet of mandolin, 7 string guitar, pandeiro, cavaquinho. Special guests include native Brazilians Alexandra Santos (vocals) and Gabriela Gimenes (flute).