Five O’Clock Favorite
Every weekday at 5:00 PM PT
Every weekday at 5:00 PM PT, All Classical Radio and host Christa Wessel invite listeners to be part of the programming. During the Five O’Clock Favorite, you’ll hear a listener-suggested piece of music along with a personal story about their choice. With pieces that are fun and familiar, music for remembrance and reflection, and everything in between, the Five O’Clock Favorite is a perfect way to ease your commute, end your workday, or start off your evening soundtrack on All Classical Radio.

Your Host
Christa Wessel
Weekdays at 5:00, you’ll find me in my happy place on the radio: sharing your Five O’Clock Favorite. This special program is an opportunity for me to celebrate listeners’ memories and favorite pieces of classical music. Our stories connect us to each other, and this daily segment allows us to hear what’s in the hearts of our friends and neighbors. I hope you’ll submit your suggestion for a future Five O’Clock Favorite!

Submit your favorite piece:
Suggestions are easiest to honor if they’re 20 minutes or less.




The same way Fur Elise was a significant pivoting point in music history, the piece was also a great pivot point in my own life when it came to piano skill.
At George Fox University, in the fall semester of 2020, I timidly brought the piece into my lesson with the 5’7 titan of piano Dr. Anton Zotov. Smiling, Dr. Zotov asked me to play the piece for him. After hitting all the right notes in a perfect blend of chaos, Dr. Zotov began what turned into an eight month course of instruction that would help me prepare the piece. My tempo had been as smooth as a rhino charging on a gravel road, and my pitch about as consistent as a middle schooler's emotions. I had a lot of corrections that needed to be made, so of course, I sat down and took them in patiently. At first, I loathed the work. The hours were long and gritty.
But as the weeks went on, and as the piece began to integrate into my muscle memory, I found that I could not get the music out of my head. The dynamics were just right, and the legato flow of the piece was so peaceful. It helped me find a temporary escape from the business of university life; reminiscent of the way my nimble fingers put together epic Lego Star Wars sets when I was young, my fingers adapted to this piece and put it together the way it was intended to be.
Then finally, the day came for me to perform it for my piano jury. I absolutely aced the piece; it was a spectacular feeling. Since then, I have always held this composition in high regard. I will always remember the hard work and discipline it took me to perfect the piece fondly. As Dwayne Johnson said, “It’s about drive, it’s about power!”