Events at this location

Artist-in-Residence Simone Lamsma brings her “brightly radiant sound” (New York Times) to Bruch’s poetic Violin Concerto, one of the most cherished works written for the instrument. And Bartók’s Concerto for Orchestra transforms each section of the orchestra into spotlit soloists in an emotional odyssey from sorrow to an affirmation of life.

Artist-in-Residence Simone Lamsma brings her “brightly radiant sound” (New York Times) to Bruch’s poetic Violin Concerto, one of the most cherished works written for the instrument. And Bartók’s Concerto for Orchestra transforms each section of the orchestra into spotlit soloists in an emotional odyssey from sorrow to an affirmation of life.

Artist-in-Residence Simone Lamsma brings her “brightly radiant sound” (New York Times) to Bruch’s poetic Violin Concerto, one of the most cherished works written for the instrument. And Bartók’s Concerto for Orchestra transforms each section of the orchestra into spotlit soloists in an emotional odyssey from sorrow to an affirmation of life.

A testament to Beethoven’s sly wit, the Eighth Symphony finds the revolutionary composer transforming beloved 18th-century dance forms with new dramatic possibilities. And violinist Baiba Skride displays a “soaring, incisive tone” (Strad) in Britten’s Violin Concerto, an emotionally charged work composed as Europe descended into World War II.

A testament to Beethoven’s sly wit, the Eighth Symphony finds the revolutionary composer transforming beloved 18th-century dance forms with new dramatic possibilities. And violinist Baiba Skride displays a “soaring, incisive tone” (Strad) in Britten’s Violin Concerto, an emotionally charged work composed as Europe descended into World War II.

A testament to Beethoven’s sly wit, the Eighth Symphony finds the revolutionary composer transforming beloved 18th-century dance forms with new dramatic possibilities. And violinist Baiba Skride displays a “soaring, incisive tone” (Strad) in Britten’s Violin Concerto, an emotionally charged work composed as Europe descended into World War II.

In the season of new beginnings, the Portland Youth Philharmonic Orchestra, Conservatory Orchestra, Wind Ensemble, and String Ensemble present a concert filled to the brim with brilliant new music by Polina Nazaykinskaya, Giancarlo Castro D’Addona, and Nancy Ives.

The 2023 PYP Concerto Competition Winner, still to be announced, will perform their winning piece with the Philharmonic Orchestra!

In the season of new beginnings, the Portland Youth Philharmonic Orchestra, Conservatory Orchestra, Wind Ensemble, and String Ensemble present a concert filled to the brim with brilliant new music by Polina Nazaykinskaya, Giancarlo Castro D’Addona, and Nancy Ives.

The 2023 PYP Concerto Competition Winner, still to be announced, will perform their winning piece with the Philharmonic Orchestra!

A rollercoaster of pianistic flourishes, Rachmaninoff’s ravishing rhapsody is given a tour-de- force performance by soloist Simon Trpčeski. Dvořák’s distinctly Bohemian style shines in his brooding, mysterious Seventh Symphony, in which the composer gives voice to personal grief and the struggles of his nation.

A rollercoaster of pianistic flourishes, Rachmaninoff’s ravishing rhapsody is given a tour-de- force performance by soloist Simon Trpčeski. Dvořák’s distinctly Bohemian style shines in his brooding, mysterious Seventh Symphony, in which the composer gives voice to personal grief and the struggles of his nation.

A rollercoaster of pianistic flourishes, Rachmaninoff’s ravishing rhapsody is given a tour-de- force performance by soloist Simon Trpčeski. Dvořák’s distinctly Bohemian style shines in his brooding, mysterious Seventh Symphony, in which the composer gives voice to personal grief and the struggles of his nation.

Berlioz paints a portrait of obsessive love with opium-fueled visions of cinematic realism, featuring haunting ballroom waltzes, a march to the guillotine, and maniacal witches’ dances. Opening the program, Debussy’s tone poem heaves with hazy sensuality, and violinist Carolin Widmann explores nature and love in works by Takemitsu and Chausson.

Berlioz paints a portrait of obsessive love with opium-fueled visions of cinematic realism, featuring haunting ballroom waltzes, a march to the guillotine, and maniacal witches’ dances. Opening the program, Debussy’s tone poem heaves with hazy sensuality, and violinist Carolin Widmann explores nature and love in works by Takemitsu and Chausson.

Berlioz paints a portrait of obsessive love with opium-fueled visions of cinematic realism, featuring haunting ballroom waltzes, a march to the guillotine, and maniacal witches’ dances. Opening the program, Debussy’s tone poem heaves with hazy sensuality, and violinist Carolin Widmann explores nature and love in works by Takemitsu and Chausson.

The end begins… Witness the beginning of Harry’s most important battle yet, with the feature film accompanied by a live symphony orchestra. Harry, Ron, and Hermione set out to track down the secret to Voldemort’s power!

The end begins… Witness the beginning of Harry’s most important battle yet, with the feature film accompanied by a live symphony orchestra. Harry, Ron, and Hermione set out to track down the secret to Voldemort’s power!

The end begins… Witness the beginning of Harry’s most important battle yet, with the feature film accompanied by a live symphony orchestra. Harry, Ron, and Hermione set out to track down the secret to Voldemort’s power!

The lyricism of music inspired by dance takes center stage in Schubert’s Unfinished Symphony and Strauss’s Rosenkavalier Suite — their rhythms and melodies evoking the opulence of 19th-century Vienna. And Artist-in-Residence Xavier Foley paints musical portraits of Argentina in a new arrangement of Piazzolla’s tango-infused Four Seasons of Buenos Aires.

The lyricism of music inspired by dance takes center stage in Schubert’s Unfinished Symphony and Strauss’s Rosenkavalier Suite — their rhythms and melodies evoking the opulence of 19th-century Vienna. And Artist-in-Residence Xavier Foley paints musical portraits of Argentina in a new arrangement of Piazzolla’s tango-infused Four Seasons of Buenos Aires.

The lyricism of music inspired by dance takes center stage in Schubert’s Unfinished Symphony and Strauss’s Rosenkavalier Suite — their rhythms and melodies evoking the opulence of 19th-century Vienna. And Artist-in-Residence Xavier Foley paints musical portraits of Argentina in a new arrangement of Piazzolla’s tango-infused Four Seasons of Buenos Aires.

Our season concludes in a blaze of orchestral glory with Brahms’ First Symphony, a work of intense passion and soaring lyricism. Plus, Principal Bassoon Carin Miller displays her instrument’s suave tone and puckish agility in Villa-Lobos’s Ciranda das Sete Notas, while Gabriella Smith’s One serves as an urgent appeal to protect our fragile ecosystem.

Our season concludes in a blaze of orchestral glory with Brahms’ First Symphony, a work of intense passion and soaring lyricism. Plus, Principal Bassoon Carin Miller displays her instrument’s suave tone and puckish agility in Villa-Lobos’s Ciranda das Sete Notas, while Gabriella Smith’s One serves as an urgent appeal to protect our fragile ecosystem.

Our season concludes in a blaze of orchestral glory with Brahms’ First Symphony, a work of intense passion and soaring lyricism. Plus, Principal Bassoon Carin Miller displays her instrument’s suave tone and puckish agility in Villa-Lobos’s Ciranda das Sete Notas, while Gabriella Smith’s One serves as an urgent appeal to protect our fragile ecosystem.

Equipped with a frivolous potpourri of musical insults, legendary actor John Malkovich slips into the role of the evil critic who believes the music of Beethoven, Chopin, Prokofiev and the likes to be weary and dreary. Aleksey Igudesman, Hyung-ki Joo and other great musicians beg to differ and fight back. Join us for an entertaining evening of comedy and classical music.