March 18, 2017
The Canadian pianist, Jan Lisiecki (lee-SHYETS-kee) first garnered the attention of critics in 2010 (the bicentenary of Chopin’s birth) with a recording of the Polish composer’s piano concertos. The recording caught Deutsche Grammophon’s attention, and they signed the teen pianist right away. Mozart and Schumann works soon followed. Now Lisiecki (whose parents are Polish) returns …
March 3, 2017
The human race, as a whole, has made huge strides in technological advancements when it comes to how we make music. Just looking at the evolution of the piano gives us an idea of how far we’ve come – beginning with harpsichords, which could not sustain tones, and evolving into marvelous grand pianos that have sustain …
February 27, 2017
This February in Portland, Oregon, Cappella Romana and Director Dr. Alexander Lingas, presented the first-ever festival in North America dedicated to the contemporary composer, Arvo Pärt. The Estonian composer’s music is arguably the most performed of any living composer. It was a slight departure for Cappella Romana best known for their performances of Byzantine, Russian …
February 6, 2017
The young British pianist, Benjamin Grosvenor, is an artist whose recordings have featured in All Classical Portland’s programming for the past few years. “Dances” was a disc that make a creative connection between such disparate styles and eras as Bach and Granados. “Homages”, Mr. Grosvenor’s newest, also extends a hand across the centuries, but some …
February 3, 2017
On a recent episode of Thursdays at Three, Robert McBride spoke with the members of the Miró Quartet about how they analyze the music that they play. Violinist Daniel Chang explained that they, as a group, do not analyze music on a theoretical level so-to-speak, instead, they look at the construction of a piece to …
December 13, 2016
Pianist Kirill Gerstein, a favorite of Portland audiences for his orchestral and solo recital appearances, has just released a CD that illustrates both the pianist’s abilities and those of the composer of these works. Franz Liszt’s Transcendental Etudes simultaneously pay homage to his good friend Chopin (Etudes, Opp. 10 and 25), and Bach, while propelling …
December 1, 2016
“Beauty is the emergence of a spiritual climate in which each artist is transfigured through the impulse of creation. It becomes universal” – Alberto Ginastera Last year, American harpist Yolanda Kondonassis brought Alberto Ginastera’s Harp Concerto, Opus 25 to Portland, when she performed it with the Oregon Symphony. Recently, as part of the centennial of …
November 17, 2016
When Lara Downes crafts a recording, she explores not just themes in music, but meanings and expressions. In my conversation with Lara, America Again was prompted by one of the many shootings that took place earlier this year, and so she put aside the project she’d been working on, to reconnect with America, its music, …
November 2, 2016
I was only recently introduced to Yevgeny Kutik, yet the Belarus-born violinist is up to his third CD already, with Words Fail (Marquis Classics). Mr. Kutik’s earlier releases focus in large part on Russian repertoire. What I discovered is a passionate musician with a warm, expressive tone in his playing which is perfectly suited to the …
October 29, 2016
With Halloween approaching, it seems only relevant that we shed light on some of the spookier aspects of classical music. Though no well-known composers or performers had superstitions around Halloween day itself, many had obsessions and superstitions surrounding curses, death, and other macabre topics. Arnold Schoenberg was well-known for his superstitions, suffering from triskaidekaphobia, or …
